NFT Generative Art

Juan Pedro Vallejo
Leonardo Solaas
Guido Corallo
Lolo Armdz
Javier Bilatz
Pedro Falco
Patricio Gonzalez Vivo
Ricardo Vega Mora
Daniel Canogar
Quayola
Sara Ludy

One of a series of real-time programs reflecting on the behavior of memories. The allocated memory is loaded, ordered, and iteratively blurred; during this stage of fragility, it undergoes progressive deterioration and corruption. Once it reaches a maximum state of order or entropy, new memories are assigned and loaded to restart the cycle again. This particular work is the first interactive 3D of the series. NFT includes: real-time generative program written in C++ and GLSL compiled for the browser as a web assembly piece. The resolution adjusts to the screen size. Indefinite duration.

"Scattered architectures" is a generative experiment about the illusion of space created by flat surfaces that share edges. This project is inspired by some beautiful drawings by Diane Scott Studio

In the series "Ramifications of a Discourse," the artist explores some recursive concepts, and to their surprise, discovers a transition from discrete steps, from the natural to the artificial. This series includes versions in 2D and 3D.

TURBO is the glue that binds randomly generated shapes, escaping their grid to produce each of the outputs.
What do you see?

In the field of astronomy, large amounts of data are used to generate analytical and functional visualizations, aimed at the rational and efficient understanding of their characteristics. In contrast to this purely analytical approach, "Confusion Boundary: Exodata" is a project that seeks to produce an aesthetic and visual experience based on exploring the visual translation modes of graphical representations of astronomical data. Under this approach, the work takes data obtained from exoplanets - planets belonging to other solar systems - which indicate various observed characteristics: mass, distance, weight, rotation, inclination, translation, trajectory, among others. Through programming in Python and subsequent processing in Processing, they are translated to explore their visualization through different representation modes. In this way, dynamic images are presented whose optical and geometric compositions, based on color and shape games, shift the analytical function of these graphics to bring them closer from their sensitive quality to the viewer.
In a context characterized by the dissolution of the subject in the face of the massiveness, speed, and abstraction of data, the project proposes to question the truth status of the graphical representations of data used in the scientific field, which assume a direct and unique relationship between these and their representation. An arbitrary relationship, which is suspended when showing the new obtained images.

FULL INTERFERENCE #001 is a video piece that is part of a series about breaking the circle as a stable figure. It explores the kinetic category of instability in movement, color, and displacement. The collector of this piece can request uncompressed video and individual frames for printing.

Attractors, trajectories, particles.

Defined by themselves as a generative system, clouds invite us to think about noise. Noise, like an image, is a moment. It's quite a challenge to pause within the noise without being consumed by it. On one hand, from the balcony, the to-do list draws a void. On the other hand, the parallels reveal the rational construction of the geoid system while the drops, obedient, follow the agreed path. In a first approach to the cloud, politically correct considerations emerge: its morphology, dictated by its nature, lends itself to continuous change. At the risk of being mistaken, it seems to be nothing more than information flowing disguised in red, green, and blue containers, with a high period and elevated harmonics. However, a change in state forces the viewer into a change of mood. It is obvious that what is seen always generates something, but the pseudo-random nature of noise invites speculation about what generates what it generates. Wrapped in its same ever-changing route, the observer finds solace in the noise. It just so happens that noise does not seek to be decent. Noise also does not require any arrangement. "Observations on noise in the condensation of a cloud" is a series guided by discomfort.